IGOR STRAVINSKY POETICS OF MUSIC PDF

One of the greatest of contemporary composers has here set down in delightfully personal fashion his general ideas about music and some accounts of his own. Igor Stravinsky: Poetics of Music In the Form of Six Lessons. Of all the books that I have read in my life, only a handful of books have affected. Poetics of Music in the Form of Six Lessons has ratings and 33 reviews. Özgür said: Stravinsky eserlerini ne zaman dinlesem, zihnimde ifade edemediği.. .

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Later, he summarizes his concerns regarding harnessing the rapacious creative instinct, warning of the pitfalls of letting a curious mind wander free, a quote which is greatly more pertinent in our contemporary age of information tech: Want to Read saving….

Here, he formulated the basis of contemporary performance-practice and laid a foundation from which contemporary classical music exists. Jan 18, Shaun rated it did not like it. Subscribe to receive information about forthcoming books, seasonal catalogs, and more, in newsletters tailored to your interests.

Contents The Phenomenon of Music.

Poetics of Music in the Form of Six Lessons – Igor Stravinsky – Google Books

Feb 14, James rated it it was amazing Shelves: Goodreads helps you keep track of books you want to read. Above all, the composer must submit to rules, no matter how arbitrary, for “the more constraints one imposes, the more stravknsky frees one’s self of the chains that shackle the spirit. Particularly when he steps back from criticism and waxes philosophical on the difficulties in striking phenomenological balance, for instance regarding fantasy: Bathers, Bodies, Beauty Linda Nochlin.

I shall go even further: My confusion aside, there are some real gems in his lectures.

Poetics of Music in the Form of Six Lessons

Must read for any musician, amateur or professional, looking for a brief but rich summary of how music from medieval times up to came to be as it is. Harvard University Press- Music – pages. References to this book Authenticities: The Romantic Generation Charles Rosen. One of the greatest of contemporary composers has here set down in delightfully personal fashion his general ideas about music and some accounts of his own experience as a composer.

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Mar 02, Simon Mcleish rated it it was ok. Jun 06, Emma Nolan rated it it was amazing. The contact of this reagent with the musical reality around me, with human environments and the world of ideas, has provoked various reactions whose violence has been equaled only by arbitrariness.

Overall, this book, while important, is a very frustrating read, one that I could not read without constantly finding faults with. Most of these essays are extremely opinionated and very musically conservative, which is ironic considering his place in the canon of classical music as a rebel.

Published February 26th by Harvard University Press first published Poetics of Music in the Form of Six Lessons. He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works. Wagner, snobs, “grimacers”, Soviet music In addition, Stravinsky composed a variety of other works, including several operas, the most famous of which is The Rake’s Progress One of the greatest of contemporary composers has here set down in delightfully personal fashion his general ideas about music and some accounts of his own experience as a composer.

The Charles Eliot Norton Lectures. Poetics of Music in the Form of Six Lessons. I didn’t learn anything new about music, I just learned about all the things that Stravinsky doesn’t like: He is regarded as one of the greatest poets of his time. Probably better to study his works instead. Sep 04, Pipebre rated it it was amazing. The Witness of Poetry Czeslaw Milosz.

You should also give his violin concerto and ballet “Agon” a listen.

Igor Strakvinsky distills several centuries of musical development into this small, but insight packed, set of Harvard lectures. Throughout the volume are to he found trenchant comments on such subjects as Wagnerism, the operas of Verdi, musical taste, musical snobbery, the influence of political ideas on Russian music under the Soviets, musical improvisation as opposed to musical construction, the nature of melody, and the function of the critic of music.

I guess this means I’ll be keeping this one.

I rate this book a 3. Half the book is concerned with music in general,focusing on the phenome In his preface to this collection of lectures Darius Milhaud says, “Poetics of music is like a searchlight turned by Stravinsky on his own work on one hand, and on music in general on the other. Great composer umsic musician. Now this desire can never find true nourishment in endless variety. Let me have something finite, definite — matter that can lend itself to my operation only insofar as it is commensurate with my possibilities.

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Aug 03, Stas rated it it was amazing Shelves: Aug 20, Larry Sunderland rated it it was amazing. The first starts slow, and the fifth is probably more detail about the Russian symphonic scene that most people will want. One of the first indications of this interest in classical music was heard in his ballet Pulcinella Description One of the greatest of contemporary composers has here set down in delightfully personal fashion his general ideas about music and some accounts of his own experience as a composer.

In six lessons, Stravinsky explains his point of view in various topics, such as the work os composition, performance of works, Russian music and modernism. Every concert-goer and lover of pketics will take keen pleasure in his notes about the essential features of music, the process of musical composition, inspiration, musical types, and musical exe One of the greatest of contemporary composers has here set down in delightfully personal fashion his general ideas about music and some accounts of his own stravjnsky as a composer.

His body of work and his polemic ide Just finished this and I’m conflicted – the three poetice I give it don’t capture how thought provoking I find this lecture series. His argument regarding critics who ignore his own music is interesting as he looks back at earlier composers like Bach and Beethoven powtics suffered from similar disregard before being crowned as great masters.

When I first got into architecture school they gave us a list of recommended readings for the summer before our first year.