Editions for IBM and the Holocaust: (), (Paperback published in ), (Hardcover IBM e o Holocausto (Paperback). IBM e o Holocausto · Metodologia Científica – Unidade 1 · LBE Starbucks Lesson · · Kali Linux Portugueswebpenetrationtesting. Livro: IBM E O HOLOCAUSTO. O livro mostra a aliança Ad text: Putting an exact time and place on pre-Columbian art has challenged. Ad text: Putting an exact.

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This work also presents the consequences from those aesthetic and structural motivations in providing formal coherence to the pieces.

IT provides a theoretical framework for understanding the statistical nature of both communication and music aesthetics, providing a valuable approach to understanding the relationship between statistical learning and music reception. One significant outcome of the theory was the so-called cognitive revolution — set in motion in in the symposium organized by the ‘Special Interest Group in Information Theory’ at the Massachusetts Institute of Technology — igniting cognitive science and subsequently its cog-nitive musicology branch.

The Certainty, the Impossible, and what Lies Between: Some of the philosophical implications of the pair information theory-music are discussed, including some reflections on the relationship between information entropy and physics entropy.

In this context, physical probability is seen as being ‘replaced’ by aesthetic improbability.

In this holocauto reality, information of a purely musical nature has reached the highest availability and quantity ever in human history. Remember me on this computer. Information theory seeks to quantify information and is connected with the concept of entropy, or the amount of disorder in a system.

PhD Thesis in Music Composition. Help Center Find new research papers in: Building upon Claude E. O Enigma de Wittgenstein: The jo-ha-kyu concept and its expression as it is found in Noh drama and iaijutsu were used as a creative impulse and global principle for the pieces’ inner sectioning and character, guiding also the sequential order of the pieces in a programme.

Log In Sign Up. Communication models inspired by the concept of communication noise — composer-intent, bolocausto, composer-performer, and composer-listener — are presented, along with holocauso implications for music creation.

IBM and the Holocaust – Wikidata

This paper will concentrate on the philosophical and aesthetic implications of this paradigm shift, setting them in the domain of stochastic models as opposed to deterministic models of musical thinking.


UNESCO’s Information for All Programme has recently drawn attention to the digitisation of intangible cultural heritage as a primary safeguarding measure. In particular, it describes the Masters dissertation in Music Composition in Portuguese.

Sound, Noise and Entropy: The zettabyte is the amount of information estimated to have been generated, transmittedstored, and retrieved by humanity byand is equivalent to one billion terabytes, or 36 billion years’ worth of HD video playback. This paper will focus on the unfolding ethical issues concerning digitisation policies, such as the likely excessive reliance on information and communication technologies, the ethics of the decision-making r regarding the selection of what musical heritage is worth keeping, the vulnerability of digital depositories, and future ethics-oriented paths.

This is the version of the libretto and it includes all the texts spoken and sung and iibm translations into Portuguese, as well as information about the creation process, credits, and other information. The former concentrate on the unpredictable and are framed by Complexity Theory, while the latter concentrate on the unexpected and can be better understood in light of Information Theory.

Shirley Ann Jackson

This work investigates compositional processes of four pieces composed between and during my Master’s Degree in Composition at the Universidade Federal do Rio Grande do Sul. The paper finishes by examining the author’s work Centro, an example of a composition inspired by Information Theory as a framework from which an entire philosophical stance can spring, inspiring and informing compositional choices. Skip to main content.

What information theory has to say about new music is the main focus of this study and it is a subject that must be revised under a new light, as the literature on this particular extrapolation is rare, relying mostly on the view of communication theorists but seldom of composers.

Aesthetic and Structural Motivations in Musical Composition more.

Christian Benvenuti | Universidade Federal do Rio Grande do Sul –

This study proposes an understanding of new music from a perspective supported by the psychology of expectation and IT as an alternative to traditional analytical-theoretical or socio-political approaches. The ‘revolution’ meant that information processing by the mind could, to some useful extent, be simulated by computational modelling. An essay on information theory and music creation more. Since the first contact of composers with the new theory, particularly the ones associated with the German journal Die Reihe, there has been rising interdisciplinary interest in Information Theory.


In particular, it describes the essential communication properties of entropy, holocausti, channel capacity, repertoire, and expectancy, briefly addressing how they affect compositional method and aesthetic parameters embedded in the environmental context which will be referred to as the Zettabyte Era.

The opera had its first performance inconducted and directed by the composer with stage direction by Alexandre Vargas and choreography by Silvia Wolff. Considerations regarding both aesthetic and structural This paper presents some possible directions for the application of information theory in music analysis from the point of view of compositional processes, using as case studies a piece by Elliott Carter and a piece by Phillip Glass. Enter the email address you signed up with and we’ll email you a reset link.

This paper is a preliminary investigation on the application of information theory as an l compositional process for shaping expectancy. Information theory seeks to quantify information and is connected with the concept of Click here to sign up. His interests include music composition, communication theory, information theory, dance studies, film studies, music psychology, cognition, photography, and multimedia arts.

This paper explores the use of Information Theory as an impetus for music composition, aiming to outline the main concepts derived from the theory and how they influence — and influenced — musical thinking. Investigating information theory as a tool for shaping expectancy.

The first significant development on information theory was done in by its founder, Claude Shannon, and it is now a consolidated discipline. MusicCommunicationand Information Theory.