Monteverdi Ego Dormio. Uploaded by TsiliLi. Monteverdi ego dormio. Copyright: © All Rights Reserved. Download as PDF or read online from Scribd. Flag for. Ego dormio official lyrics by Claudio Monteverdi: Ego dormio Claudio Monteverdi sheet. artist. Visits (Day/Week/Month): 0 – 0 – 0; Language: Translation: Not. Claudio Monteverdi: Ego dormio. Scored for: for 2 voices and basso continuo; Composer: Claudio Monteverdi; Editor: Gian Francesco Malipiero. More Less.
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The result of course is extremely compact.
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Ego dormio et cor meum vigilat, SV 300 (Monteverdi, Claudio)
Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality monteveerdi of music of all styles and from all periods from the twelfth century to the twenty-first. Ego dormio a 2 voci e B. Romantic Evening Sex All Themes.
Drinking Hanging Out In Love. Don’t show me this message again. Jazz Latin New Age. The text of Ego dormio is in fact about as religiously ambiguous as one could hope to find, speaking only of how “I was asleep, but my heart waked” and of “the voice of my beloved.
Ego dormio et cor meum vigilat,… | Details | AllMusic
Although the motet is scored for soprano and bass, Monteverdi does not treat the text as a dialogue, but uses both voices together to represent the monteveedi and male speakers.
Musica Sacra; Le Passioni dell’Anima. Vespro Per La Salute. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.
Structural tightness of this kind is a virtue when it still feels fluid, but Ego dormio suffers from a kind of woodenness, a terseness that makes it sound unpleasantly sometimes like a compositional exercise. The Sacred Music, Vol.
A certain rising motif first heard on “dilecti mei,” but more often on “amica mea,” seems to be the musical seed that the rest of the Ego dormio was grown from. Francesco Sammaruco published an anthology called Sacri affeti, in Rome infor which Monteverdi provided the motet Ego dormio, which is composed in the form of an arioso duet. It’s evidence too that the new church music, based on purely secular models, was gaining great currency. In the Christian church such texts were interpreted metaphorically, sometimes as texts in praise of the Virgin Mary, sometimes, as in this case, as texts representing the Church the woman welcoming her beloved Christ.
The Sacred Music, Vol.
Interestingly, there is no hint of the melodious triple-time refrains found in the music of northern Italian anthologies. Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.